July Movies Part 3: The Dink & Spider-Man: Brand New Day

July is nearly at an end but I managed to squeeze two more movies in. Want to go to the theater or want to stay on the couch? I've got both options covered!

The Dink: Written by Sean Clements and directed by Josh Greenbaum, this is a very silly and fun movie about what happens when a bunch of pickleball enthusiasts demand more courts at a tennis club. Ed Harris plays Chuck Boyd, the owner of the tennis club, while his son, Dustin (Jake Johnson) is a tennis player who injured his wrist early in his career and now has to make do as a tennis instructor at the club. He still thinks of himself as being an elite player (with a lot of beef with Andy Roddick), but really he's just a sad little man who needs to boost his ego. 

Due to various circumstances, Dustin is forced to start playing pickleball, a sport he regards with the utmost contempt. Further, he is playing with three older women, and his partner is Candace (Mary Steenburgen), a divorcee who has taken up a lot of hobbies to try and get on with her life. My favorite thing about this movie is that there ends up being a little bit of a May-December situation between Distin and Candace, which is amazing, because come on, Mary Steenburgen's still got it. Putting that storyline aside, however, this is ultimately just a movie about a showdown between pickleball and tennis. If you're a pickleball enthusiast, there will be a lot of references and jokes that I'm sure will delight you, but if you only have a passing familiarity with the sport (like me), this movie may seem pretty mid. The actors are fun, the premise is wacky - it's a perfectly acceptable way to pass an afternoon. But it is definitely some serious pickleball propaganda.

Spider-Man: Brand New Day: I don't know why, but I keep forgetting that Spider-Man is from New York (specifically Queens - Let's Go Mets!) but this movie absolutely does not let you forget that fact. It is SUCH a New York movie and has such beautiful shots of the city throughout every amazing action sequence or just those wonderful shots of Spidey commuting around by slinging webs at tall buildings. Even the end credits are this lovely little ode to New York - according to my husband, the only thing missing was a shot of Zohran as Mayor. So yes, I loved this movie immediately, just for that.

But of course, there's a whole story we need to discuss so let's get into that. Written by Chris McKenna and Erik Sommers, and directed by Destin Daniel Cretton, this movie picks up after the events of Spider-Man: No Way Home, so poor Spider-Man/Peter Parker (Tom Holland) is no longer remembered by his best friend Ned (Jacob Batalan) and girlfriend, MJ (Zendaya) after Dr. Strange cast a spell to make them forget him (don't question the Marvel logic, I don't remember any of the previous movies either). Now, he's very sad and depressed, working closely with NYPD Detective Jean DeWolff (the delightful Liza Colon-Zayas), and eschewing any work-life balance whatsoever in his unrelentless quest to put criminals away so he doesn't have to think about his complete lack of a personal life. He's also reluctantly working with Frank Castle (Jon Bernthal), a man with some sort of dark past who is now a vigilante with a lot of guns (apparently this character is the Punisher - a fact that completely blew past me while watching this movie).

There's Michael Mando as Scorpion, but then it turns out there's a different villain who can mind control people, so they become slightly more important to deal with. Just rest assured there's some great action, a lot of emotion, and it will be worth your time. I thoroughly enjoyed this movie, but also, Instagram has been constantly serving me reels of Holland and Zendaya so I just spent this movie swooning over those two as my favorite Hollywood couple. I don't know if this is a movie that comic lovers and Marvel purists will care for (there ARE some great cameos from certain Avengers), but if you're simply looking for spectacle and good ol' fashioned Hollywood razzle-dazzle, this movie serves that up in spades.

July Movies Part 2: The Invite & The Odyssey

This week I watched two of my favorite movies of the year. They were spectacular and you need to jump on the bandwagon right away. What are you waiting for?!

The Invite: Adapted by Rashida Jones and Will McCormack from a Spanish film, Sentimental (that was itself adapted from a play), and directed by Olivia Wilde (who also stars), this movie is an incredible cringe comedy that had me and my husband gasping and laughing out loud for 100 minutes straight. Wilde and Seth Rogen play Angela and Joe, a couple that have been married for too long and can't seem to stop bickering with each other. Angela has invited the upstairs neighbors over for dinner, a fact that she failed to mention to Joe, so they're fighting about that as the neighbors, Pina and Hawk (Penelope Cruz and Edward Norton) arrive. Which already makes for an awkward start to the evening, but you have no idea how much more awkward things are going to get from there.

If all four of these actors receive an Oscar nomination next year, it would be welcome. The dialogue being bandied about back-and-forth is exhilarating. It's like watching a very tense tennis match with occasional pauses to burst out laughing. I can't get into the plot because you need to just experience it ratchet up and escalate continually for yourself. But what a well-made movie! It's beautifully shot, with every scene meticulously framed and composed, and the music by Devonte Hynes offers up a perfect accompaniment to these couples and their chaos. There's one scene in particular, that is set to Habanera from Carmen, and I definitely want to watch a masterclass when Wilde dissects how she perfectly choreographed the dialogue, music, and blocking to create a visually stunning and hilarious piece of cinema. 

Fair warning, this is a great movie to watch if you're in a stable relationship but may bring up some uncomfortable discussions if you're on the rocks and arguing all the time. But maybe even in that case this movie will bring you both together because you'll finally be laughing as one. Get to the theater - you have received an invitation.

The Odyssey: Written and directed by Christopher Nolan (based on Homer's epic poem, of course), there was a lot of hype around this film, and what can I say? The hype was thoroughly well-deserved. This movie is three hours long, but with this deft script that keeps weaving in and out like Penelope's loom through all of the different scenes of Odysseus' journey, the Trojan War, and the troubles in Ithaca, you simply won't notice the time passing by. It's a singular cinematic achievement and I can't begrudge all the Oscars it's bound to receive next year.

The cast of this film is pitch perfect. I had my doubts about Matt Damon as Odysseus, but he does an incredible job - he is just the right amount of old and weary but still has a trick or two up his sleeve to try and survive this perilous journey home. Tom Holland is wonderful as his son, Telemachus, who has to protect his mother, Penelope (Anne Hathaway, in what is definitely her best role this year), from the greedy suitors (including Robert Pattinson as the very evil Antinous) who have posted up at their palace in Ithaca and want to marry Penelope so they can be king. The other big-name stars in this movie mostly have extended cameos, but damn do they deliver in their scenes. I was particularly astonished by Samantha Morton as Circe - there was something so eerie and menacing about her voice that even if you didn't know anything about this character, you'd suss out within ten seconds that something very bad was about to happen to Odysseus's men.

I've been obsessed with Greek mythology since I was a child; I've taken many courses on it and read The Odyssey as well as modern retellings of Homer's work, so I have a great familiarly with this story and the various characters and settings. I don't know if someone with zero knowledge of The Odyssey would love this film as much as I did, but I think they would still be completely mesmerized by the spectacle of it. The extended sequences with the Trojan horse are stunning, watching the sailors get tossed around on a vengeful ocean is harrowing, interacting with the varied cast of characters is a constant delight. I found myself astonished simply by the armor that different characters wore - Agamemnon in particular, has the most foreboding armor I've ever seen, and it chilled me to the bone every time he was on screen. And is it weird that everyone has an American accent? Sure, for about ten minutes. Then you just put that aside and let yourself be swept away by this ancient tale. The locations are dazzling, the practical effects are glorious, the script is immaculate, the actors are captivating. You can see the blood, sweat, tears, and love that went into every frame of this movie and the result is truly a wondrous thing. Nolan went on quite the odyssey to give us this film, and I'm so glad he did.

July Binges: Maximum Pleasure Guaranteed & Nemesis

This month I have binged two very different but rather entertaining shows, both of which end on a cliffhanger that promises much more hijinks for a second season. Ready to add yet more shows to your schedule? Follow me!

Maximum Pleasure Guaranteed: Created by David J. Rosen, this show stars Tatiana Maslany as Paula, a divorced woman in Queens who is going through a messy custody battle with her annoying and hapless husband, Karl (Jake Johnson). She's fighting to get a promotion at work, she's fighting to retain custody of her daughter, so amidst all that stress, the lady naturally decides to have a few online sessions with a camboy named Trevor (Brandon Flynn) to relieve some of that tension. 

Unfortunately, Trevor then gets violently attacked during one of their sessions. Paula records it all on video and reports it to the police (specifically to a detective played by Dolly de Leon, an actress I have loved since I first saw her in Triangle of Sadness, and who continues to be excellent here) and is told that it is probably all just part of a scam. When Paula gets a call demanding money, or else Trevor will be killed, she is mad that she did fall victim to such an obvious scam. But then...turns out Trevor IS dead. So what's going on?

For ten episodes, you're in for a twisty treat, where more and more shadowy characters come into play and the conspiracy around this whole nightmare keeps spiraling into oblivion. In the meantime, she still has to keep up appearances at work and with the other soccer moms. Maslany is an incredible actress and her ability to portray a woman who is holding on by her fingernails as she investigates criminals, coaches kids' soccer, battles with her ex, and dodges murderers is brilliant to behold. And lest I forget, this is a very funny show. It's not all just thrills and murder, so you'll have a nice chuckle as you get swept along for the ride. It's well worth your time, and given how everything ends, it's going to be well worth your time for Season 2.

Nemesis: Created by Courtney A. Kemp and Tani Marole, this is a very twisty cops-and-robbers show about a criminal mastermind named Coltrane Wilder (Y'lan Noel) and LAPD Lieutenant, Isaiah Stiles (Matthew Law), who is determined to arrest Coltrane and put his small gang of co-conspirators behind bars once and for all. Isaiah has been tracking Coltrane's crimes for a few years, convinced that there is one small group of four criminals who have been orchestrating incredible heists in the LA area that all seem unrelated. His boss and partner all think he's crazy, but he knows he's right, and he also has a personal vendetta against them to up the stakes.

There's also a lot of family drama that both men are experiencing with their wives. Coltrane's wife, Ebony (Cleopatra Coleman), recently had a miscarriage and no longer wants to help out with any of his heists, even though her sister is the woman who comes up with these jobs for him and his gang to execute in the first place (yeah, it's really a family affair). In the meantime, Candice (Gabrielle Dennis), is very frustrated with Isaiah's obsessive devotion to his job instead of showing up to his son's basketball games and is seriously contemplating a divorce. And oh yeah, somehow these two women know each other socially and become friends. That's not going to complicate matters at all, right?

It's all very tangled and delicious. It's also a very Black show, so your mileage may vary if you have opinions on how often you want to hear the n-word deployed. Also, the white characters who show up to play cops might be the most hilariously stereotypical white actors I've seen in a while. The whole thing reminded me a bit of a Bollywood movie - a little larger than life, a little too much emotion, but damn if I wasn't thoroughly entertained for eight episodes. If you're looking for something engaging and slightly ridiculous to while away the hours, you may have found your next binge!

July Movies Part 1: Supergirl & Moana

July is here, with a brand-new set of summer blockbusters. We have the latest superhero offering from the DC Universe, and then Disney's latest live-action remake. Looking for original IP? Move right along!

Supergirl: Written by Ana Nogueira and directed by Craig Gillespie, this movie stars Milly Alcock as Kara Zor-El, aka Supergirl, who is Superman's cousin. She is turning 23, so you may ask, why is she a "girl" and not a "woman"? That is a meta question this film also seeks to ask and answer. But first, we must give our poor heroine a purpose, because as this movie opens, she is on an epic pub crawl and has no desire to save the universe.

This film is only 108 minutes long, so I won't give away scads of plot. There's a young girl, Ruthye (Eve Ridley), who is seeking revenge after the brutal murder of all the members of her family, and she crosses paths with the reluctant Kara, who is persuaded to help her for her own reasons. Naturally, our heroine is full of ennui and doesn't think there's any point to being a superhero, but she will eventually get her redemption arc and start to crawl out of her depressive funk. Prepare for lots of action sequences, many repetitive rescues of the hapless naif, and some cameos from a very concerned Clark Kent (David Corenswet) as he video calls from Metropolis to keep tabs on his wayward cousin. Oh, and also Jason Momoa shows up as an alien mercenary character called Lobo, for some reason.

This movie is rather forgettable. Now that James Gunn runs the DC Cinematic Universe, you can see his fingerprints all over it in terms of random music choices during various scenes and a desperate attempt to keep things light, even when we're talking about a lot of heavy themes. Alcock and Ridley are a great duo, and they are both very personable, even whilst their characters are being extremely angsty, and the action choreography is wonderful. But overall, this movie thoroughly failed to captivate me, and I almost forgot I watched it a few days later. It exists, and that's about all I can say about it.

Moana: Written by Jared Bush and Dana Ledoux Miller and directed by Thomas Kail, if you're a fan of the original animated film, then you'll be perfectly happy with this live-action remake, i.e. just like my husband. I do not care about Moana as much as he does, but I still found myself captivated by this movie. 

If you've never seen the original before, I suppose a short plot summary is in order. Catherine Laga'aia plays the titular Moana, the daughter of the chief of Motonui, a Polynesian island. Her whole life, she has been forbidden from venturing too far out into the ocean, but her grandmother (Rena Owen) believes the ocean has chosen her for a crucial journey. When the island is stuck by a blight, she tells Moana that she needs to set sail and find the demigod Maui (Dwayne "the Rock" Johnson who voiced this character in the original film), who can then help her restore the heart of Te Fiti, the goddess of Nature.

The cinematography is beautiful and enchanting, the songs (both English and Polynesian) are rousing and wonderful, and the actors are fully committed and having a great time - it's particularly great to see the Rock do his thing in live action this time around. Is it almost identical to the animated film? Of course. Did that dampen my enjoyment at all? Nope. Disney is gonna do its thing, but when they do it with a movie this beloved, it's hard to really screw it up, you know? There has been a lot of uproar about why we need this remake, which is the same uproar we have been getting for every single Disney remake to date, but I found myself bopping along for the ride. I know most critics are in absolute disagreement with me on this one, but I don't care. Sometimes it's just nice to get some Polynesian comfort food.

June Movies Part 2: Toy Story 5 & Disclosure Day

It's summer and all the blockbusters are hitting the theaters. I had surgery on June 10th, but I willed myself to recover quickly so I could walk over to the theater and check out the following movies. If that's not dedication, I don't know what is!

Toy Story 5: Pixar's back baby! I'm on the record as having loved Toy Story 4 (long live Forky), and it was hilarious to re-read my review from 2019 where I declared this was the final installment in the Toy Story franchise. Such naivete. But boy am I glad that director Andrew Stanton, who co-wrote the screenplay with Kenna Harris, has given us this fifth installment. It serves as a much-needed commentary on what technology has done to our lives and is wondrous.

Instead of Woody (Tom Hanks) and Buzz (Tim Allen) being the leads, this movie features Jessie (Joan Cusack) as the lead Toy instead. She is desperately trying to help the little girl Bonnie (Scarlett Spears) make some friends, but this is proving to be a challenge. All the other children in the neighborhood seem to have gotten tablets and other electronic devices, and they no longer just want to play with toys and each other - they're too mesmerized by their screens. Increasingly concerned about their child, Bonnie's parents cave and buy her a LilyPad tablet (voiced by Greta Lee), hoping that will help her fit in more with her peers. And initially, this seems like a great idea - Lilypad "friends" kids from her dance group online, and this seems to offer up opportunities for more in-person interaction. But what's the point of in-person interaction if you're all just sitting on the couch staring at your screens? 

Is the story a little heavy-handed? Sure. Does that make it any less true? Nope. It's inventive, playful, insightful, and a little emotional, like all the best Pixar films. And as an avowed Conan O'Brien fan, I was delighted by his character of Smarty Pants, a potty-training device that ends up being very useful to help resolve some of the dilemmas Jessie and the other toys find themselves in over the course of the movie. This movie is remarkably even-keeled - it's not encouraging us all to be Luddites, but it's certainly advocating for a far more judicious application of technology. As I sit here on my laptop with my phone to the side, I'll certainly try to take its lessons to heart. I fear it may be too late for us all, but at least put your devices down for two hours and go watch this movie! 

Disclosure Day: Steven Spielberg's back baby! With a screenplay by David Koepp, the veteran director is here to present us with an engaging sci-fi movie about a secret government corporation led by a man named Noah Scanlon (Colin Firth) that is trying to hide the truth of extraterrestrial life from the rest of the human race, and the resistance that is on the run with all the evidence that they want to make public. 

Josh O' Connor plays Daniel, a man who used to work for the evil corporation, but has now defected with the help of a fellow-absconding colleague, Hugo (Colman Domingo). Daniel now has to figure out how he's going to release this information while keeping his girlfriend, Jane (Eve Hewson), safe from the evil overlords, who are using her as a pawn to get to him. Meanwhile, Emily Blunt plays Margaret, a Kansas City weatherwoman who suddenly wakes up speaking myriad languages and has the ability to immediately know what another person is going through and speak to their deepest secrets and vulnerabilities. She has no idea what's going on, but she knows that evil people are after her, so she goes on the run until Hugo reaches out and tells her how to connect with Daniel. Will our heroes meet up? And will they be able to make their grand disclosure? Not much of a spoiler alert: yes, yes, they will.

This is the type of movie where the journey is the destination. There are some brilliant action sequences, but there's also a lot of dialogue where people have to explain all the complexities of what's going on. What elevates this from a mid-tier slog to a top-tier blockbuster, is Blunt's performance. She is absolutely magnetic on screen and that charisma cannot be denied. I will be furious if this woman doesn't get an Oscar nomination for this performance, because despite all the great actors in this movie, she is single-handedly carrying this film on her back and giving it all the heart and depth it needs to avoid becoming just another generic piece of science fiction.

This is also an extremely Spielbergian film. Bless him, but the man is still living in an age of optimism, and his aliens are as humanoid and old school as possible. Watch this film if you want to feel really nostalgic and hopeful. There's no room for cynicism on Disclosure Day!

June Binges Part 3: Not Suitable for Work & Widow's Bay

Looking for a comedy as your next binge? Well I've got a somewhat classic sitcom that has its pros and cons and then a delicious horror comedy that is currently a critical darling. Pick your poison!

Not Suitable for Work: Created by Mindy Kaling, this is a very Kaling show about a group of twentysomething college graduates who are pursuing their dreams in New York City. AJ and Abby (Ella Hunt and Avantika Vandanapu) are best friends with very different ambitions - AJ is excited to be a high-powered investment banker, while Abby is pursuing a career as a celebrity stylist. Across the hall from them live three men - Davis, Josh, and Kel. Davis is a finance bro who happens to work with AJ at the exact same bank and on the exact same team - what are the odds?! Josh is a rich nepo baby with journalistic ideals who is trying to "make it on his own" with a job as a PA for a famous news anchor, but he certainly did not get that job without a little name-dropping. And Kel is a medical student who actually wants to be an actor...that's gonna be quite the pivot.

Over the course of nine episodes, you will follow the career drama and romantic entanglements of these five people, and while some of it is very fun and engaging, some of it definitely has a yikes, #MeToo factor that had me shaking my head. It's very clear that this show is being written by a bunch of TV people who haven't actually held a job in finance or most other industries, so their depictions of the workplace tend to be painted with a rather broad, stereotypical brush. And the romance plots are classically Austenian (there is actually a lot of discussion of Jane Austen's novels at one point, in typical Kaling fashion), where there's a supposedly handsome and perfect suitor, but of course, he's not the right one.

This show is frothy and bingeable, and the actors are very likable. There are plot twists galore, and it's a mindless romp if you want to unplug your brain for a weekend afternoon. Also, NYC has never looked more beautiful - the final two episodes set in Christmas in the city captured all of my favorite places and made me so happy. But if you're looking for substance over style, move on. There's nothing to see here.

Widow's Bay: If you're looking for both style and substance (and are not a scaredy-cat) start bingeing this show immediately. I had no idea what I was getting into when I began, but two days later I was watching the finale and telling everyone that this was the best show in the world. Created by Katie Dippold, this is the story of a quiet New England island called Widow's Bay, and its mayor, Tom Loftis (Matthew Rhys), who is desperately trying to sell this place to tourists and help the town prosper. Unfortunately, he has no help from the locals, a bunch of dour and pessimistic folk who also believe in ghost stories and think the island is a haunted and miserable place that no one can escape. Naturally, Tom thinks all these people are ridiculous, but then...creepy things start happening. And before long, even this skeptic has to acknowledge that maybe all those ghost stories had some truth to them after all.  

Is this show scary? Sure. But is it also absolutely hilarious? My God, yes. After all, it did start out as a spec script for Parks & Recreation - Leslie Knope would absolutely adore this show. Rhys' face is comic perfection, veering from disdain to confusion to horror to miserable acceptance in the space of a minute. The supporting cast, featuring comic geniuses like Jeff Hiller, Dale Dickey, and Stephen Root are all people you will recognize from TV comedies over the years, and they are a murderer's row of talent in this show. Kate O'Flynn in particular, is amazing as Patricia, Tom's assistant who really wants to help him with his agenda but also has her own horror story from when she was a teenage girl on the island; watching her shine in Episode 8 was delightful.

I never knew horror comedy was a genre I would be able to watch on TV - I assumed it was restricted to a few movies a year. The writing is incandescent, the performances are brilliant, the production design and cinematography is atmospheric and creepy - it's really firing on all cylinders. This show has been an absolute revelation; I ate it all up and am ready for seconds. More please!

June Binges Part 2: Off Campus & The Other Bennet Sister

I watched two romance series this month - they both couldn't be more different, but each was swoon-worthy in its own way. Do you prefer your smut to be sexy or Victorian? Either way, I've got you covered!

Off Campus: Created by Louisa Levy, based on the series of hockey romances by Elle Kennedy, this is a sexy show that has a naked butt within two minutes of its runtime. Don't say you weren't warned. Ella Bright and Belmont Cameli star as Hannah and Garrett, two college students who are taking a philosophy class together but otherwise have nothing in common. Garrett is the captain of the hockey team who already knows he wants to go pro, while Hannah is a music major who is struggling to make ends meet and doesn't give a shit about hockey. Obviously, the two of them don't get along, until...they very much do.

This show has all your classic tropes - you've got enemies to lovers and a little Hitch inspiration with Garrett trying to coach Hanah on how to win over Justin (Josh Heuston), the guy she has a massive crush on. The sex scenes are gloriously steamy, and I have never been more grateful to Shonda Rhimes for bringing Bridgerton to our TV screens and thereby ushering in this whole era of streaming romance series. But more importantly, this show has so much emotional heft and heart. Both Hannah and Garrett have extremely dark pasts and will have to confront a LOT of psychological baggage over the course of eight episodes. They make the classic mistake of trying to solve everything through their relationship, but the show cleverly showcases how your partner can't be your only emotional support in life; both of them end up turning to their best friends for additional guidance (played excellently by Mika Abdalla, Antonio Cipriano, Stephen Kalyn, and Jalen Thomas Brooks - a supporting cast that gets up to all manner of shenanigans of their own over the course of the series). And despite the heavy themes that are being discussed, the show never gets too bogged down, miraculously maintaining a breezy and funny tone that kept me smiling throughout the entire series.

The final episode has an epic cliffhanger and I simply cannot wait for Season 2. I have spent a lot of time this past week watching Instagram reels about this show, reading interviews with the incredible costume designer (Charlene Akuamoah, a true genius), and becoming obsessed with the soundtrack, listening to multiple featured songs on repeat like a besotted teenager. This show is a frothy and fantastic delight and it's exactly the kind of escapism I crave when the real world gets to be too much. If you're currently a single lady who is fed up of the dating apps (or a happily married one who is still in need of some diversion), put your phone down and pull up this show. Just revel in these hot, heterosexual men for a while. Yes, they initially seem like douchey hockey jocks, but my god they end up having hidden depths and being feminist AF. It's enough to classify this show as a fantasy rather than a romance, but for eight hours, just let yourself be transported!

The Other Bennet Sister: Written by Sarah Quintrell and Maddie Dai, based on the 2020 novel by Janice Hadlow, this is a beguiling piece of fan fiction about the life of Mary Bennet, the awkward and plain sister in Jane Austen's Pride & Prejudice, who is merely treated as a joke and a weirdo in that novel. In this story, however, she has a robust and rich interior life, and we get a thorough psychological understanding of this much-ignored woman who still deserves just as much happiness as her sisters.

Ella Bruccoleri plays Mary, and she is perfectly cast, managing to be both nondescript and captivating as the script demands. The first few episodes give us the events of Pride & Prejudice from Mary's perspective, including a thwarted attempt at wooing Mr. Collins. However, as her sisters are all married off while Mary remains the old maid, her prospects seem terribly bleak, and it is unclear what will become of our heroine - is she doomed to a life of genteel poverty? Thankfully, she has relations who can take her in, and what follows is a wonderful tale, with parallels to Austen's other heroines who encounter multiple suitors with varying complications. 

The show is a bit of a slow burn, and of course, it is very Regency, but it's still delightful to see Mary get a little lustful when she sees a man rolling up his sleeves and giving her a flash of forearm. Her suitors are charmingly played by Donal Finn and Laurie Robertson, while Indira Varma and Richard Coyle are lovely as her aunt and uncle who offer all the love and support she could never seem to get from her odious mother (played irritatingly well by Ruth Jones). Even though I knew what was going to happen, the final episode melted my heart, and I was so proud of Mary, who had learned to become a strong, independent woman, brimming with self-confidence. In its way, this is yet another feminist romance, but it will still satisfy the itch of any Austen lover who is looking for a new way to enjoy their favorite tale of love and marriage.