May Binges Part 1: Big Mistakes, Beef, The Miniature Wife

Yes, I'm still desperately trying to catch up on all the new TV - truly a losing battle. But I've binged more shows and now it's your turn to binge them too!

Beef: I ordinarily don't do season-to-season reviews, but given that this is shaping up to be an anthology series and this season was extraordinarily good, I'll just go ahead and tell you to watch it, shall I? Created by Lee Sung Jin, this season felt much more chaotic and epic in scope than the first, now featuring two warring couples whose lives get intertwined in increasingly dangerous ways. Oscar Isaac and Carey Mulligan star as Joshua and Lindsay, a couple who help manage a fancy country club in California, but are trying to save up for their dream of running their own bed and breakfast. They used to be a cool couple, but now they are approaching midlife, their marriage is getting fractious, and it seems clear that thigns are goign downhill fast. Contrast this with the young couple Ashley and Austin (Cailee Spaeny and Charles Melton) who work at the country club. They are young and naive, desperate to start their lives together but constantly set back by financial pressures. Will any of these couples succeed? Or will everything fall apart spectacularly? Watch to find out!

Over the course of eight episodes (much tighter than the first season's ten!), this season takes you on an emotional rollercoaster and you can never predict from one minute to the next who is going to be blackmailing whom, and when there might accidentally be a murder or two. Youn Yuh-jung also stars as Chairwoman Park, the Korean billionaire who becomes the new owner of the country club, and as she gets more involved in all the drama, things escalate to an absurd and exciting degree. Just let this show unfold before your eyeballs - make sure you set aside enough time to do so, because you're not going to be able to stop once you get started.

The Miniature Wife: Created by Jennifer Ames and Steve Turner (based on a short story by Manuel Gonzalez), this show stars Elizabeth Banks and Matthew Macfadyen as Lindy and Les, a couple that have been married for a very long time. The spark is fading from their marriage, and they mostly just tensely quote their couples therapist's aphorisms at each other in arguments. Lindy is a Pulitzer Prize-winning author whose career has now stalled after she moved to St. Louis to support Les's dream of working on cutting-edge research that could potentially earn him a Nobel Prize. That research involves the ability to shrink food so it could be transported more easily and then regrown when it arrives at the desired location. As the title of the show might have suggested, there is an accident and Lindy accidentally gets shrunk down to six inches tall. And Les, who hasn't yet figured out the formula to grow the shrunken objects back to their original size, has his work cut out for him.

I would watch this show a little bit at a time and frankly, it got to be a bit of a slog. Ten episodes long, 40+ minutes each, it was a bit too bloated. It would have been much better as a zippy half-hour comedy, but unfortunately, the writers meander through the story of this couple's chaotic marriage in far too much detail, giving us all the backstory about every single slight that led them to this precipice. In the present day, there's also a lot of unnecessary drama with supporting characters who don't really need to be there. The show covers a lot of good ground about how marriages require constant work, and also the nature of parenting, as both Les and Lindy have very different relationships with their teenage daughter Lulu (Sofia Rosinsky). But apart from the fun production design and camerawork to take us into Lindy's tiny world, this show struggles to be particularly engaging. I love these actors, and I watched all of it, but the whole time I found myself wishing they were doing something else.

Big Mistakes: Created by Dan Levy and Rachel Sennott, now here's a zippy half hour comedy that gets in and out in eight episodes. Levy and Taylor Ortega star as Nicky and Morgan, siblings who accidentally get on the wrong side of some Turkish crime bosses and are blackmailed into helping out with bizarre criminal enterprises. Meanwhile, their mother, Linda (Laurie Metcalf), is busy with their sister, Natalie (Abby Quinn), planning a campaign to run for mayor of their New Jersey town, so both women are too consumed with those logistics to notice the chaos Nicky and Morgan have descended into. 

Given how short and sweet the show is, I'll refrain from more details so you can let all the surprises wash over you. Suffice to say, Levy and Ortega are a great comic duo and watching Levy's face contort as he finds himself in impossible situations was my favorite part of the whole show. Nicky and Morgan are stereotypical adult siblings who have lost touch and have all these misconceptions about each other, but over the course of the show, they will start to learn and grow from each other, in both good ways and bad. I will warn you, the ending does have a cliffhanger, and Netflix hasn't picked this up for a second season yet, but I think the first season stands on its own two feet perfectly well and kept me very entertained on an otherwise boring weekend. It's charming and breezy, and sometimes that's all you can ask for. 

May Movies Part 1: Mother Mary & The Devil Wears Prada 2

Anne Hathaway is set to have five movies come out in 2026, and two of them are currently in theaters. Sadly, the Hathassaince is off to a rocky start. Let's dive into my reviews.

Mother Mary: Written and directed by David Lowery, I was very excited for this movie, given how much I loved his 2021 film, The Green Knight. I was expecting something similarly surreal and visually spectacular but unfortunately this movie is weird and unsettling, not in a good way. Hathaway stars as a pop icon named Mother Mary, who sings haunting dance music while wearing elaborate costumes and a halo. She is staging a comeback tour after she had an accident, but is unhappy with the costumes being proposed by her team. She heads to England, where her former collaborator, Sam (Michaela Coel), is working at a remote country estate, trying to prepare designs for an upcoming show. Sam is initially reluctant to work with Mary to prepare a new outfit, but after a lot of mysterious dialogue hinting at their past and Mary's clear desperation for someone who can interpret her artistic vision, Sam agrees.

What follows is a bizarre film where two women talk at each other and work out their creative differences and hostilities, but also, there's a ghost? Eventually there's an exorcism? And throughout there are flashbacks to Mary performing various songs, so the whole thing has a slightly surreal feel of a concert film? Listen, I did not get this movie at all, and I did not like it all. I'm sure there are high-minded people out there who thought this was a bold work of art, but to me it was a thought experiment that was better suited to being a 20-minute short film than a meandering two-hour extravaganza. Coel and Hathaway are two great actresses, and I would love to see them in another film where there's some actual plot. And maybe just make it a fun comedy, so we don't have to watch these two women weep at each other when they are capable of so much more expressive silliness. As far as I was concerned, this movie was an unfathomable waste of time.

The Devil Wears Prada 2: I am tempted to write "Electric Boogaloo" after that title, because unfortunately, this is a terrible sequel to the much-beloved 2006 movie. Directed by David Frankel and written by Aline Brosh McKenna (who were also responsible for the first film), Anne Hathaway, Meryl Streep, Emily Blunt, and Stanley Tucci are all back to reprise their roles. This time, Andy (Hathaway), who has successfully spent the past twenty years building out a journalism career, finds herself unexpectedly fired and in need of a job. Well, turns out Runway, the magazine still led by Miranda (Streep) and her consigliere, Nigel (Tucci), is in need of a features editor, so Andy is back into the world of high fashion, trying to craft meaningful articles alongside puff pieces on chemical peels. Meanwhile, Emily (Blunt) now works at Dior, who is a main advertiser for Runway, so Andy is reunited with another former colleague. 

I won't get into the plot - there is a lot of drama around ownership of the magazine and evil billionaires (you'll get to see Justin Theroux chewing the scenery for all its worth, with an assist from BJ Novak who just has the same expression on his face throughout), and there are a LOT of cameos from random people that help to jolt you awake while you fade away into boredom. For a movie that is concerned about how magazines and creative pursuits could be replaced by AI, it's ironic how the script and hapless editing make the proceedings feel like abject AI slop. All of the plot points feel tropey, and no amount of valiant acting from this all-star cast can rescue the film from feeling completely unnecessary. It's the curse of high expectations - having just rewatched the original, which was so iconic, I wanted more of the same, and the sequel simply could not deliver. I do know folks who have thoroughly enjoyed this film as a likable piece of nostalgia, but if you were expecting quality cinema, steer clear.

April Binges Part 2: Company Retreat, Twenty Twenty Six, The Fall and Rise of Reggie Dinkins

I have been watching a lot of comedies this month and binged my way through two, while reaching the very satisfying finale of another one I had been watching week-to-week. Now they are all available to give you a giggle and some respite from reality. Dive in!

Company Retreat: This is from the creators of Jury Duty, but obviously you cannot just keep faking jury duty all the time, so this time, creators Gene Stupnitsky and Lee Eisenberg decided to hire an unsuspecting man named Anthony as a temp for a fake company called Rockin' Grandma's Hot Sauce. Anthony joins the company and gets to know the wacky staff, and a week later, he is whisked away on their annual company retreat. He thinks the camera crew are just there to film a documentary about small businesses, but little does he know there's a whole operation behind-the-scenes that are filming him at every turn and trying to see what he will do in increasingly chaotic situations.

Much like Ronald in Jury Duty, I don't know how the show's producers managed to find such a gem of a man, but it's wonderful to watch Anthony just roll with the punches and make some deep and meaningful connections with these strangers. Things fall apart real fast, but Anthony, the good-natured temp, is always ready with a smile and some calming words to help defuse the situation and get his zany colleagues back on track. They even capture a moment when he says that everything is so nuts that you couldn't write a script to match it, which the show's writers obviously got a real kick out of.

The penultimate episode is where Anthony really gets to shine as the hero, making a grand gesture to help save this company and the people he has come to love over the course of such a short time. And then in the final eighth episode, we get the grand reveal where the show's producers walk him through just what has been going on for the past two weeks and we get some insights into the production design and rehearsal process that took place months before filming. It's such a massively creative endeavor, and it's insane to think that it requires everything running on rails - sometimes they don't, and we get treated to some moments when the actors had to quickly cover up a mistake, or the moments when they simply couldn't stop laughing. It's a very funny show, but mostly it's an extraordinarily heartfelt show that reminds us that there are still some very good humans out there in the world.

Twenty Twenty Six: I had no idea that creator John Morton was doing this show until I randomly saw a YouTube ad for it and discovered all six episodes were now available to binge. Which I proceeded to do in a heartbeat. Hugh Bonneville is back as Ian Fletcher, the man that we got to meet in Twenty Twelve, when he was helping to plan the 2012 London Summer Olympics, and W1A when he was trying to help re-brand the BBC. This time, he's in Miami, trying to help organize the 2026 FIFA World Cup (the show has to bleep "FIFA" anytime a character says it, which makes for an amusing running gag).

Much like those other shows, Ian finds himself amidst a group of weirdos, all of whom are trying to promote their agendas, and simply cannot answer a single question with a straight answer. There's the Zurich liaison, Eric (Alexis Michalik), who is absolutely no help in a crisis; the Sustainability champion (and potential love interest), Sarah (Chelsea Crisp), who is passionately pushing initiatives to make the games more environmentally-friendly but fighting a losing battle; Gabriela (Jimena Larraguivel), a Mexican woman who is heading up Optics and Narrative and wants every match to be held in her home country; Nick (Paulo Costanzo), the extremely volatile Business and Legal head, who is as New York as they come; Owen (Stephen Kunken) the head of Logistics, who doesn't seem to realize that's his job; and then Phil (Nick Blood) a Mancunian who loves David Beckham but otherwise doesn't know what's going on. And of course, they all have to deal with the social media team, who know nothing about football, but are going to try to market the hell out of it anyway.

The only other character who is back from the other shows is Will (Hugh Skinner), as Ian's bumbling assistant. Here, he continues to be thoroughly lost but still failing upwards, and it's fun to see how his every mistake turns into a potential win for this hapless team. Every episode features yet another bizarre crisis that requires quick decision-making and strategic problem-solving, which are of course, anathema to this group. And yet, they always manage to pull something out of the hat at the eleventh hour and save the day in some extremely improbable fashion. Each episode is only a half hour long, but I could watch these people talk in their strange double-speak for hours, saying absolutely nothing but talking a mile a minute anyway. It's truly the best of British humor, and while I don't care about the World Cup at all, I'm so grateful for it just because it allowed me to get another season of this absolute chaos.

The Fall and Rise of Reggie Dinkins: Created by Robert Carlock and Sam Means, this is exactly the show you want if you've been missing the zany stylings of Unbreakable Kimmy Schmidt or 30 Rock. Also, like Kimmy Schmidt, you may find yourself singing the theme song (composed by Jack Grabow) every single time you turn it on. 

Tracy Morgan stars as Reggie Dinkins, a famous football player who became infamous once he was caught gambling and was ignominiously kicked out of the NFL. Now, an Oscar-winning documentarian, Arthur (Daniel Radcliffe, in an incredibly delicious comic role), has arrived to film Reggie and his life, in the hopes of rehabilitating his image. Arthur himself has had a fall from grace after he was fired from directing a superhero blockbuster. He has a lot to prove, but a documentary about Reggie Dinkins may not be the best way to do that. Meanwhile, Reggie's support system consists of his ex-wife Monica (Erika Alexander), who is still his manager and is very close to him as they co-parent their teenage son Carmelo (Jalyn Hall); his best friend Rusty (Bobby Moynihan), who was his former teammate and is a very lovable doofus; and his fiancée Brina (Precious Way), a young entrepreneur who is always hustling to find a new side hustle, and fits right into the madness.

This is a show that is incredibly joke-dense. Forget the actual plot and storylines, half of the time you will find yourself dying of laughter at side gags involving fake TV shows like FDNY: Chicago, where New York firefighters go to Chicago to fight fires but keep forgetting the time difference or losing their hoses at O'Hare. If that sounds like the spectacularly dumb but hilarious comedy you're into, then buckle up, because this show has ten episodes of the stuff to deliver. All of the actors are having a great time, and who knew Tracy Morgan and Daniel Radcliffe were the comedy duo we had all been missing in our lives?! The show also has a tremendous amount of heart and is so good-natured. Everyone on this show loves and supports each other, even if they are the most ridiculous people on the planet, and every time you watch an episode, you are bound to laugh out loud at least once and then leave with a big smile on your face.

April Movies: The Drama and You, Me & Tuscany

Are you looking for a romantic comedy? Or a romantic dramedy? Dive right in to hear about one of each!

The Drama: Written and directed by Kristoffer Borgli, let me first say that I wouldn't be surprised if this movie got nominated for a Best Original Screenplay Oscar next year. It features a bizarre and intriguing premise that just keeps ratcheting up the tension for the entire film until we get a glorious catharsis at the end, and boy did I enjoy it. But also, that makes this movie very difficult to write about, because I am loath to spoil a second of it for you.

Zendaya and Robert Pattinson star as Emma and Charlie, a gorgeous couple who met in a coffee shop and are now in the throes of wedding preparations, a week out from the big day. As the movie opens, Charlie is writing his wedding speech and seeking input from his best man, Mike (the wonderful Mamoudou Athie), and that whole sequence serves as a charming way to tell the whole love story of how these two people met and fell in love, and why they're so into each other.

But of course, this movie is titled The Drama, and the event that sets things spiraling is after the couple go out with Mike and his wife, Rachel (Alana Haim), get a little tipsy, and then share some...revelations, that lead us down a very twisty and ridiculous path. Again, I won't spoil anything, but let's just say that after leaving this movie, it made for a very robust discussion with my husband and other friends about how they and their significant others would have reacted if placed in a similar situation. 

The actors are magnificent, the script is off-kilter and unpredictable, and the movie's tone is just a wild rollercoaster of emotion that will leave you squirming in your seat, sometimes in delight and sometimes because you're so deathly uncomfortable with how everyone is behaving. It's probably not a movie you will want to rewatch but man, that first watch is a grand experience that you'll be talking about for days afterwards.

You, Me & Tuscany: Unlike The Drama, this is a movie where you will be able to see every story beat coming from a mile away. It's basically like watching a less sophisticated While You Were Sleeping, but it's charming AF, so you can't really complain. Written by Ryan Engle and directed by Kat Coiro, this is a story about what happens when a down-on-her-luck woman, Anna (Halle Bailey), decides to travel to Italy after a chance encounter with a handsome stranger, Matteo (Lorenzo de Moor), in a bar. He tells her all about the villa he bought in Tuscany that is now just sitting empty, so naturally, when she finds herself unable to find a hotel room, she decides to break into his house. And naturally, complications ensue when his family members discover her the next morning.

One of those family members is Matteo's cousin brother, Michael (Regé-Jean Page), who is a very hunky winemaker. Sparks start to fly between him and Anna, but that is all very inconvenient because Anna has had to tell a little lie...that she is Matteo's fiancée. Oopsie. What follows is your standard romcom, full of misunderstandings and romantic entanglements and complications that could be sorted out if people would just be honest with each other, but where's the fun in that?! There are also zany supporting characters like the horny aunt, Francesca (Stella Pecollo), who is having an affair with a plumber named...Luigi, and Lorenzo (Marco Calvani), the taxi driver who helps Anna out when she's new in town and becomes her only confidante in this whole mess.

Listen, is this movie high art? Certainly not. The dialogue is clunky, with Italian characters deploying Americanisms (I drew the line when the elderly nonna literally said the phrase, "tap that ass"), and it's all very familiar and treading on well-worn ground. But you're in Italy! The sun is shining, the wine is flowing, and Anna is buying juicy tomatoes from a friendly farmer's market to whip up a delicious bruschetta for dinner later that night. How could you not bask in the glow of all of that charm for two hours? Just soak it in and let your brain relax; we all deserve a cinematic vacation once in a while.

April Binges Part 1: Bait & Taskaree

Haven't been watching enough TV about South Asians? Well, here I am with two VERY different miniseries. One is a British comedy-drama about the pressure of representing the South Asian community (and particularly Muslims) in the UK, while the other is a classic Bollywood action-drama about the customs officers at Mumbai's International Airport. Fasten your seatbelts, it's gonna be a bumpy ride!

Bait: Created by and starring Riz Ahmed, this is the story of a struggling British actor named Shahjehan "Shah" Latif (Ahmed), who is auditioning to be the next James Bond. Obviously, this role comes with a lot of meaning - Bond is considered a quintessentially British role, that has hitherto only been played by white male actors. Naturally, it would be a coup for Shah, a British Pakistani Muslim, to get this role. But the significance of it leads him into a spiral of self-sabotage. We are also introduced to his family, consisting of a doting mother, Tahira (Sheeba Chaddha), jokey father, Parvez (Sajid Hasan), and two cousins who were raised with him, Zulfi (Guz Khan) and Q (Asiya Shah). 

This is a short and sharp show, only six episodes, under thirty minutes long, so I don't want to get into much detail. You have to let the wildness of the show unfold for yourself, but suffice to say, it does a brilliant job of capturing the South Asian immigrant experience, the particular nastiness of the racism faced by South Asians in Britain (be prepared for the P-word to be deployed a lot), and the difficulties of straddling both your brown community and the white one you're trying to integrate into. 

All of the scenes with Shah's family felt like something that could have been filmed during any of my family gatherings (well, with slightly less drama and destruction, of course), and at the center of it all, we have Riz Ahmed, with those big, expressive eyes, conveying a world of hurt, humiliation, and confusion as he tries to navigate this very weird situation he has been put into. The show was not as funny as I wanted it to be, but it was certainly a chaotically good time and a wonderful addition into the TV genre of layered South Asian representation. If you're looking for something fresh and new, this is exactly what you seek.

Taskaree: Are you looking for layers? Then move right along. With this show, created by Neeraj Pandey, you're going to get a rather typical Bollywood masala action romp, with a little dash of romance and plenty of police brutality. This show thoroughly lacks any nuance, but it's still a very fun ride with plenty of twists and turns, so you will have a good time, as long as you turn your brain off first. 

Emraan Hashmi plays Arjun Meena, a customs officer in Mumbai's International Airport who has a reputation for taking his job seriously and being incorruptible in a profession that is otherwise well known to be full of people who are willing to look the other way if offered a nice little bribe. When a new commissioner, Prakash Kumar (Anurag Sinha) is brought in to crack down on all the international smuggling that goes through the airport, Arjun and his most trusted colleagues are brought together on a task force to help bring down a criminal syndicate headed by Bada Choudhary (Sharad Kelkar). Bada has couriers operating out of Al Dera (for some reason, a fictional city that is just a stand-in for the UAE), Ethiopia, and Milan, so what follows is a very international escapade told with a great deal of Bollywood flair. 

The story is fast-paced, every episode ends with an amazing cliffhanger, and as long as you suspend your disbelief at points, you are promised a great time. It's only seven episodes long and makes for a quick and dirty binge, so settle down on your couch. Also, your Hindi vocabulary is really going to expand as you learn more about smuggling terminology and the layers of Indian intelligence bureaucracy than you could have ever expected. So, it's fun AND educational!

March Movies Part 2: Project Hail Mary & Ready or Not 2: Here I Come

To finish out the month, I saw two movies I had been hotly anticipating, and they both did not disappoint. Whether you're looking for uplifting apocalyptic sci-fi or hilarious apocalyptic horror, I've got you covered.

Project Hail Mary: Adapted by Drew Goddard from the 2021 novel by Andy Weir, and directed by Phil Lord and Christopher Miller, this movie is a perfect example of how book-to-screen adaptations should be filmed. I saw it with members of my book club because we just read this novel in January, and while yes, we noticed some minor things that were missing from the book, we certainly didn't think any of it mattered. Instead, I was astonished at what a faithful adaptation this was, and how adeptly it managed to convey all the science and logic of Weir's novel with cinematic flourish and aplomb. The first five minutes of this movie manage to convey information and action that take up fifty pages of the book, and I was incredibly impressed with the filmmakers' ability to condense this novel while still capturing its essence.

Ryan Gosling stars as Ryland Grace, a man who wakes up from a coma in unfamiliar surroundings and gradually pieces together that he is on board a spacecraft that is in a completely different solar system from Earth. He has retrograde amnesia but keeps flashing back to memories of his life back on Earth to help him piece together who he is and what his mission is supposed to be. Turns out he was a middle-school science teacher and former academic biologist. Scientists discovered the Sun was dimming, which would lead to catastrophic consequences for all of humanity. This led to a global scientific push to investigate the phenomenon and come up with a solution. They discover that a microorganism called astrophage was eating away at the Sun and growing exponentially. Grace was recruited by a woman named Eva Stratt (Sandra Huller) to help study astrophage, and eventually, Project Hail Mary was born, a long-shot mission to study a distant star in another solar system, that seems to be infected by astrophage but is somehow not dimming like the Sun. 

You'll have to watch the movie to find out how Grace ended up on the mission, and of course, the piece de resistance of this whole tale, how he runs into an alien, Rocky (voiced and puppeteered by James Ortiz and a team of four other puppeteers), who is on the exact same mission for his people to investigate this non-dimming star and maybe help save his planet from extinction. They got the character of Rocky exactly right, and the friendship that blossoms between him and Grace is just as perfect as it is in the book.

I was a huge fan of the novel, but many members of my book club were turned off by the amount of hard science it contained. As such, this movie is perfect for folks who don't want to read all of that but still want to experience this moving, profound, and absolutely rollicking story for themselves. It has so much plot, so much heart, and the cinematography and visual effects are absolutely stunning. The actors are truly excellent (who could ever get tired of watching Ryan Gosling be both earnest and funny in space?) and the movie is Hollywood at its cinematic best. Head for this mission: it's unlike anything you've ever seen before.

Ready or Not 2: Here I Come: I was a huge fan of the original Ready or Not that came out in 2019, so when I heard there was a sequel, again written by Guy Busick and R. Christopher Murphy and directed by Matt Bettinelli-Olpin and Tyler Gillett, I knew there was no way I would miss it. The action of this film picks up exactly where we left off, and what follows is another bloody and funny horror movie, now with two plucky heroines instead of just one. What could be better?

Samara Weaving is back as Grace, a woman who married a very wealthy man, but discovered on her wedding day in the last movie that he is part of an insane family that worships the devil. She had to play a game of Hide and Seek where every family member would try to kill her before dawn, but if she survived, they would all explode in gory and spectacular fashion. So, she survived, but as this movie begins, she is in the hospital and on the verge of being arrested, because the police who showed up at the house of horrors naturally assume she is responsible for murdering all the bodies inside while she sat outside on the steps in her bloody wedding dress. Her estranged sister, Faith (Kathryn Newton) shows up at the hospital because she was still her emergency contact. Unfortunately, Grace's in-laws were not the only crazy family involved in this whole situation. They're part of a syndicate of wealthy devil-worshipping families who basically run the world. And by winning Hide and Seek, Grace has triggered a rare clause in their bylaws that means that now she and her sister will be hunted by members of all the important families in a second round of the game. If she survives till dawn, she gets to take her place among them and help to rule the world. Sweet deal, right?

It's a bonkers premise, sure, but it's executed to perfection. The cast now features folks like Elijah Wood, Sarah Michelle Gellar, Nestor Carbonell, and many others, including Shawn Hatosy who is playing a rather insane character in stark contrast to his most recent role as Dr. Jack Abbot on The Pitt. And of course, our leading ladies are stellar, playing two women who have a lot of childhood trauma that they now have to somehow resolve at the same time as they are desperately trying to not get murdered. As you do. It's all very silly but very fun and if comedy horrors are your jam, this is one of the best you could experience. 

March Movies Part 1: How to Make a Killing & Hoppers

I headed back to the movie theatre and watched two very different movies this month. One is a murderous comedy that's strictly for adults, while the other is a sweet animated film that is appropriate for all ages. What are you in the mood for?

How to Make a Killing: Written and directed by John Patton Ford (who was inspired by the 1949 film, Kind Hearts and Coronets), Glen Powell stars as Becket, a young man whose mother was disowned by her eye-wateringly rich family after she slept with an unsuitable man and then insisted on keeping the baby. When the unsuitable man died, she became a single mother, who did the best she could to provide for little Becket, with absolutely no contact from any member of her family. After she died, he scrambled to make ends meet, but was then reminded that even though his mother was disowned by her family, the irrevocable nature of the family trust meant they couldn't actually disinherit her or her descendants. Which means that he could inherit a huge pile of money...provided all the other heirs in line before him were to die. I assume you can see where this is going.

When the first murder goes much more easily than he expected, Becket starts to think that maybe he could genuinely pull off this crazy scheme. Margaret Qualley stars as a femme fatale childhood friend who is the demon on his shoulder, egging him on, while Jessia Henwick stars as a new love interest who makes him want to be a better man. But murder is like a can of Pringles - one you pop, you just can't stop. While lightly comic throughout, the final tone of this movie is decidedly more ambiguous. But it's an entertaining ride, and if you enjoy that Glen Powell charisma, this movie will let you bathe in it for a crisp 105 minutes. Sometimes, that's all you want at the movies.

Hoppers: Pixar is back and better than ever. Written by Jesse Andrews and directed by Daniel Chong, this movie follows Mabel Tanaka (voiced by Piper Curda), a young girl who loves animals, but is furious that the adults around her seem to be so callous to their needs. Her grandmother is the only person who seems to understand, and together, they spent a lot of time at a local glade, quietly observing the pond life, listening to the sounds of Nature, and enjoying the contentment of that serene place. Her grandmother eventually dies, but Mabel always remembers her fondly, and as she enters into college, she continues to be a passionate advocate for Nature. Which means she frequently butts heads with Jerry Generazzo (Jon Hamm), the local mayor whose passion project is to build a beltway that will help to reduce commutes by four whole minutes! And where will a portion of that beltway cut through? The glade, of course.

Mabel is naturally indignant and determined to save her beloved glade. But the only way to do so is to re-introduce animal life into the area, since they have all mysteriously disappeared. She discovers that one of her college professors has developed "hopping" technology, that allows users to jump into a very life-life robot replica of an animal and then interact directly with animals. So, Mabel "hops" into a beaver, and sets off to convince animals to return to the glade and help her defeat Jerry.

I've barely scratched the surface here - the plot is so deliciously twisty and inventive that you really need to experience it for yourself. And like any great Pixar film, while there are cute animals and gorgeous animation to satisfy kids, there are a lot of poignant observations about seeking meaning in your life, having to regulate your emotions, and the dangers of end-stage capitalism, to make it very resonant for adults. I didn't bawl during this film, but tears definitely threatened to make an appearance at various stages. This is such a sweet, funny, and captivating movie - hop to it!