August Movies Part 4: Midwinter Break, GOAT, The Super Mario Galaxy Movie, Anaconda

I recently flew to LA for a short trip, which means plenty of hours of in-flight entertainment. Which now means you’re about to read some short reviews of movies I watched on my trip because I never saw them in theaters. Which ones would I actually recommend? Read on, it’s a surprise!

Midwinter Break: Directed by Polly Findlay and written by Nick Payne and Bernard MacLaverty (who adapted it from his 2017 novel), this is a supremely vibey movie about an older couple, Stella and Gerry (Lesley Manville and Ciaran Hinds) who decide to go to Amsterdam for a short vacation. While they are there, we watch the accumulation of hurts between these two people who have silently been bearing slights for years (well, more like the wife has been silent while the husband has been oblivious) but have now reached a tipping point. 

We slowly unravel their backstory and the dramatic incident in Belfast during the Troubles which led them to uproot their lives and move to Scotland, but overall, there really isn't much plot in this film. It looks pretty and stars two powerhouse actors but as the end credits rolled, I was left with a feeling of, "That's it?!" I enjoyed seeing all the tourist attractions in Amsterdam as I had just been there last year, but other than that, I can't say I have much to recommend about this movie. Though I might be persuaded to get the book and see if there was a whole lot more plot in there.

GOAT: If plot is what you seek, then director Tyree Dillihay and writers Aaron Buchsbaum and Teddy Riley have you covered with this animated movie about a small goat named Will (voiced by Caleb McLaughlin) who aspires to play the highly competitive and physical game of Roarball. Unfortunately, everyone mocks his ambitions because only big animals play Roarball, including his idol, a black panther named Jett (Gabrielle Union). Through a series of (un)fortunate events, Will gets recruited to play for his hometown team, the Vineland Thorns, alongside his hero Jett, and a motley crew of other animals voiced by Aaron Pierrs, Nicola Coughlan, David Harbour, Nick Kroll, and Stephen Curry himself. 

The Thorns have been playing terribly and one of the big issues is that Jett doesn't trust her teammates, feeling like she needs to score all the points herself. So of course, this is a movie that's about delegation, trusting others, and learning to work together as a harmonious team. It's wildly inventive, beautiful to look at, and has a brisk pace that will keep you engaged from start to finish. Given the Knicks' recent championship win, I couldn't help but think of who all these characters would be if they were Knicks players, so that is another fun side quest as you watch this film. You're welcome.

The Super Mario Galaxy Movie: Love animation but looking for a nostalgia boost with existing IP? Mario's got you covered. Directed by Aaron Horvath and Michael Jelenic and written by Matthew Fogel, if you loved The Super Mario Bros. Movie, you can rest assured you'll enjoy this one too. You'll get a rollicking adventure across the galaxy as Mario, Luigi, Toad, Yoshi, and Peach (voiced by Chris Pratt, Charlie Day, Keegan-Michael Key, Donald Glover, and Anya Taylor-Joy) attempt to save Princess Rosalina (Brie Larson) from Bowser Jr. (Benny Safdie), who is just trying to save his dad (Jack Black). Along the way there will be plenty of audio and visual gags to remind you of the video games and scratch that primordial itch in your brain. 

The animation is colorful and stunning, the voice cast is spot on (Glen Powell shows up as a very Powell-esque character as well), the Lumas are cute as can be, and the story just rollicks along at a breakneck pace so you never get too bogged down in unnecessary details. It's fun and funny, and you already know if you're the target audience for it. So if you are, go forth!

Anaconda: Written by Kevin Getten and Tom Gormican, who also directed, the premise of this film is that a group of friends who love the 1997 movie Anaconda decide to remake it, despite not having a lot of money or filmmaking talent. The friends consist of Doug (Jack Black), Ronald (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) and when they get to Brazil, they enlist the help of Ana (Daniela Melchior) to take them on a boat down the river, and Carlos (Selton Mello), a snake handler who supplies a snake for their venture.

Of course, once they get into the jungle, it turns out there's an actual Anaconda on the loose that starts hunting them, and everything gets very meta. I cannot say I paid ANY attention to this movie. My friend, who is a fan of the original Anaconda, seemed to derive a great deal of enjoyment from it, but she had also never seen the trailer, which seemed to give away about 50% of the plot of this film. I guess all I can say is, if you love Anaconda and enjoy extremely silly comedies, this might be the movie for you. But unless you're in that very niche audience, give your eyes a rest. This movie is not worth it.

August Movies Part 3: Tony & The End of Oak Street

Did I celebrate my birthday with a double feature at the movie theaters? You know I did! And both were excellent movies, so read on for my recommendations for why you should be heading into a double feature yourself!

Tony: Directed by Matt Johnston, who co-wrote the screenplay with Matthew Miller, Todd Bartels, and Lou Howe, this movie adapts maybe the first 50 pages of Anthony Bourdain's 2000 memoir Kitchen Confidential (this is according to my husband who has read the book - I have not). As such, this is more of a romance or coming-of-age story - the cooking scenes are almost incidental. Dominic Sessa plays the young Tony, a bit of a wastrel who is obsessed with a girl called Nancy (Emilia Jones) and is desperately trying but failing to impress her. When he doesn't get a writing fellowship he applied for, he heads to Cape Cod because he knows Nancy is spending her summer there and ends up working in the kitchen of a local seafood restaurant as a dishwasher.

The restaurant is owned by a chef played by Antonio Banderas, who is a bit of a character but decides to take Tony under his wing. Tony also befriends Sal (Leo Woodall), the restaurant's oyster shucker and resident bad boy. Needless to say, Sal is a bad influence, and our hero is easily led astray, but there's just something about the chef's work ethic and the food he serves at this restaurant that captivates Tony. In addition to the free room and board he is getting on the chef's porch, of course.

All of the performances are excellent, but this movie is mostly just vibes. The vibes are also excellent and given that we know how Anthony Bourdain's life turned out, this movie is a sweet reminder of how he started out. There's so much hope and promise and optimism in this movie, even as it also gives us the seedy "culinary underbelly" that Kitchen Confidential exposed. Ultimately, it's a fitting tribute to Tony and everything he managed to accomplish in his life.

The End of Oak Street: Written and directed by David Robert Mitchell, this is a dinosaur movie, and damn, it's a great dinosaur movie. The premise is absurd - set in 1982, we follow the Platt family, consisting of Denise and Greg (Anne Hathaway and Ewan McGregor) and their children, Audrey and Brian (Maisy Stella and Christian Convery). Denise and Greg are in a rocky spot in their marriage and things are looking bleak. But things get a bit bleaker on one night when their entire neighborhood is suddenly transported into prehistoric times and now there are dinosaurs running through their previously innocuous little suburb.

How did this happen? A wormhole or some such, that's not really that important. What's important is that now for 90 minutes this family is going to be running around trying not to get eaten by dinosaurs and seeing if there is any way for them to get back to 1982 and resume their quiet American lives. There is so much action, some eerie horror-esque moments, and plenty of humor to keep the tone light and breezy throughout. There was one genuinely shocking turn, but at the end of the day, this whole thing feels like a Spielbergian cross between The Goonies and Jurassic Park and I was 1000% here for it. 

Anne Hathaway is having quite the year, and apart from The Odyssey, this is definitely my favorite movie she's been in this year. All the actors are having such a rollicking good time, and the plot is rapid and kinetic and keeps you engaged until the very end. This is not a serious movie that's about to win a dozen Oscars, but this is exactly the kind of movie I want to be watching in the middle of August. It's entertaining, surprising, funny, nostalgic, and sweet. It's exactly why you go to the movies in the summer.

August Movies Part 2: One Night Only & Gail Daughtry and the Celebrity Sex Pass

I watched two comedies about people trying to have sex this month and each was equally delightful in its own silly way. One is a very New York movie while the other is very LA, so we’ve also got bicoastal representation!

One Night Only: Written by Travis Braun and directed by Will Gluck, this movie has the wild premise that America is under authoritarian (i.e. Republican) rule where all premarital sex has been banned except for one night a year. We therefore follow Allie (Monica Barbaro) and Owen (Callum Turner) on this one night to see what kind of shenanigans they get up to, all the while knowing that of course, these two very attractive people will eventually end up together…right?

Allie is a world-weary woman who despairs of this night. While Owen thought he was getting engaged and instead got dumped and is now looking for mindless sex to get his mind off his heartbreak. As these two keep running into each other, they first are antagonists and then pair up to be each other’s wingmen. I won’t spoil any surprises but this movie is so joke dense, all the way down to the production design and the score that are full of audiovisual gags to keep you giggling. You’ll get a whirlwind tour of the NYC boroughs, a TON of amazing cameos, and thoroughly charming performances from these two actors, who are perfect for a romcom. This movie made me laugh out loud multiple times and I adored it. I don’t understand the complaints about how we don’t know enough about the political backstory. I’m here for the sexy times people, not for political machinations. Just let me enjoy my popcorn movie in peace!

Gail Daughtry and the Celebrity Sex Pass: If you’d rather watch something on streaming, load up this inane movie and prepare for absurdity. Directed by David Wain of Wet Hot American Summer fame, and co-written by Wain and Ken Marino, this is a story about Gail (Zoey Deutch) a naive hairdresser from Kansas, who is betrayed where her fiance sleeps with his celebrity sex pass (I won't spoil, but that's a very funny cameo). Needing a break, Gail heads to LA for a hairdressing conference with her best friend Otto (Miles Gutierrez-Riley). There she meets a psychic who tells her that the only way to restore her relationship is to sleep with her celebrity sex pass - Jon Hamm. So what follows is a quest through LA to find the Mad Man and do the deed. Will Gail succeed? Watch the movie to find out!

Along the way, Gail picks up a motley crew of people to help her (including John Slattery!) whilst also being chased by Italian mobsters helmed by the wonderful Sabrina Impacciatore. It’s loud, brash, dumb, and funny, exactly the kind of thing you sometimes need to watch on a stress-free afternoon. This movie is also the reason I made my friend drive by the Chateau Marmont when I was visiting her in LA, so it's also a great tourism movie. This kind of comedy is certainly not for everyone, but I chuckled away like the lunatic I am. Enjoy!

August Movies Part 1: Lorne & Miss You, Love You

I was home alone last weekend so I caught up on a bunch of movies I had missed earlier in the year. Here are my thoughts on two very innocuous films that could prove to be of interest when you're lying on the couch.

Lorne: Directed by Morgan Neville, this is a documentary about Lorne Michaels, the notoriously private man who created Saturday Night Live and has been bestowing comedy legends and talk show hosts on us for 50 years. Given how notoriously private he is, however, you can imagine how this documentary turned out. It's a fairly superficial overview of SNL's history and the man, the myth, the legend, and while it is very fun to get behind-the-scenes footage of recent episodes of SNL, you're not necessarily going to learn a whole lot of new information. Though I did discover he was married with three kids. Who would have thunk.

There are lots of talking heads with famous actors and comedy people, and everyone tells their stories and does impressions of Lorne. Everyone seems uniformly shocked that Lorne would even give permission for this documentary to happen, and there's a lot of mystery that even they are reckoning with as they debate...does Lorne have pets? What does he do on his blueberry farm? Wait, his Wikipedia article has been wrong about his origins this whole time? While folks don't seem to know that much about him, the one constant is that they all do love him and credit him for their careers. There is a lot of talk about his loyalty and John Mulaney shares how Lorne called him up when he was in rehab and just said he would stay on the phone as long as he wanted. The man may be a mystery, but he does seem to be a mensch. If you enjoy SNL, you'll probably enjoy this documentary, but don't expect to get much out of it.

Miss You, Love You: Written and directed by Jim Rash, this is a quiet comedy-drama about grief and family that commands two very excellent performances from Allison Janney and Andrew Rannells. Janney plays Diane, a woman whose husband has just died. Instead of her son coming home to comfort her and help make the funeral arrangements for his stepfather, he sends his assistant, Jamie (Rannells), instead. Naturally Diane is prickly about this whole arrangement, but as a PA, Jamie seems very used to dealing with demanding clients, so what follows is a masterclass in managing Diane's sarcastic jibes and eventually gaining her begrudging respect.

This is a movie that mostly runs on vibes. As far as plot is concerned, expect these two to snipe at each other, reluctantly become friends, feel horribly betrayed by revelations, snipe at each other some more, and then reconcile. It's also a wonderful look at what it's like to lose the love of your life, the expectations you have of your family and friends, and what's it like to find your chosen family. It's a movie you marinate in so you can feel all your feelings, and it is at times gentle, acerbic, sweet, and funny. Enjoy.

August Binges: The Hawk & Alice and Steve

Have I been bingeing more TV shows on streaming services? You know it! I've got two comedies for you - one is very American, and the other is very British, so pick your poison.

The Hawk: Created by Will Ferrell, Harpet Steele, and Chris Henchy, this is a show about a has-been golfer, Lonnie "The Hawk" Hawkins (Ferrell), who keeps playing at various tournaments with failing success in an effort to get into the US Open and finally win the career Gland Slam that eluded him in his prime. Matters are complicated by the fact that his son, Lance (Jimmy Tatro) is now also a pro golfer and is a rising star on the PGA Tour. Over the course of the season's ten episodes, father and son will miraculously find themselves playing against each other in the same tournament, and that will unpack a lot of parental baggage.

The supporting cast includes Fortune Feimster as Sam, a woman who suddenly becomes Lonnie's caddy, despite having no golf knowledge - you can imagine how that goes. And Molly Shannon, who plays Lonnie's ex-wife (well they haven't signed the divorce papers yet, so it's more of a long-standing acrimonious separation), and Lance's helicopter mom. The casting tells you all you need to know - these are a bunch of comedy folk who aren't exactly renowned for their subtlety so expect very broad humor, much of which feels like an SNL skit that is somehow being stretched out into a half hour of comedy for each episode.

Is this show high art? No. But did it provide sufficient diversion when I needed something to watch over the weekend that wouldn't require too many brain cells? Of course. Pop it on while you're doing your chores and have a chuckle!

Alice and Steve: I started this show in the afternoon, had to leave to meet some friends for dinner, and then binged it all when I got back home. It's only six half-hour episodes, so a very manageable day-binge, and well worth it. Though I certainly have certain quibbles that we can get into.

Created by Sophie Goodhart, this is a story about two fiftysomethings in London who are best friends, Alice (Nicola Walker) and Steve (Jemaine Clement). They have a raucous and loving friendship that is turned completely upside down when Steve starts dating Alice's 26-year-old daughter, Izzy (Yali Topol Margalith). This causes an upheaval that threatens everyone in their immediate vicinity, including Alice's patient but downtrodden husband, Daniel (Joel Fry) and their young son Dom (Tyrese Eaton-Dyce). It is British cringe comedy in its purest form, awkward but hilarious, with absolutely biting one-liners that kept me laughing for ages. 

This is such an unusual premise, and it's told with such wit and verve that I can't help but recommend it to everyone I meet. Unfortunately, the season does end on a horrendous cliffhanger, and the show hasn't yet been picked up for Season 2, so my recommendation does come with that caveat. I thoroughly loved the journey, but the destination was a little wanting. I dearly hope this show gets another season, because these actors and these characters are phenomenal and I desperately want to know what happens next in their extremely chaotic lives. But for now, I'm just glad I at least got a glimpse into their world for one season.

July Movies Part 3: The Dink & Spider-Man: Brand New Day

July is nearly at an end but I managed to squeeze two more movies in. Want to go to the theater or want to stay on the couch? I've got both options covered!

The Dink: Written by Sean Clements and directed by Josh Greenbaum, this is a very silly and fun movie about what happens when a bunch of pickleball enthusiasts demand more courts at a tennis club. Ed Harris plays Chuck Boyd, the owner of the tennis club, while his son, Dustin (Jake Johnson) is a tennis player who injured his wrist early in his career and now has to make do as a tennis instructor at the club. He still thinks of himself as being an elite player (with a lot of beef with Andy Roddick), but really he's just a sad little man who needs to boost his ego. 

Due to various circumstances, Dustin is forced to start playing pickleball, a sport he regards with the utmost contempt. Further, he is playing with three older women, and his partner is Candace (Mary Steenburgen), a divorcee who has taken up a lot of hobbies to try and get on with her life. My favorite thing about this movie is that there ends up being a little bit of a May-December situation between Distin and Candace, which is amazing, because come on, Mary Steenburgen's still got it. Putting that storyline aside, however, this is ultimately just a movie about a showdown between pickleball and tennis. If you're a pickleball enthusiast, there will be a lot of references and jokes that I'm sure will delight you, but if you only have a passing familiarity with the sport (like me), this movie may seem pretty mid. The actors are fun, the premise is wacky - it's a perfectly acceptable way to pass an afternoon. But it is definitely some serious pickleball propaganda.

Spider-Man: Brand New Day: I don't know why, but I keep forgetting that Spider-Man is from New York (specifically Queens - Let's Go Mets!) but this movie absolutely does not let you forget that fact. It is SUCH a New York movie and has such beautiful shots of the city throughout every amazing action sequence or just those wonderful shots of Spidey commuting around by slinging webs at tall buildings. Even the end credits are this lovely little ode to New York - according to my husband, the only thing missing was a shot of Zohran as Mayor. So yes, I loved this movie immediately, just for that.

But of course, there's a whole story we need to discuss so let's get into that. Written by Chris McKenna and Erik Sommers, and directed by Destin Daniel Cretton, this movie picks up after the events of Spider-Man: No Way Home, so poor Spider-Man/Peter Parker (Tom Holland) is no longer remembered by his best friend Ned (Jacob Batalan) and girlfriend, MJ (Zendaya) after Dr. Strange cast a spell to make them forget him (don't question the Marvel logic, I don't remember any of the previous movies either). Now, he's very sad and depressed, working closely with NYPD Detective Jean DeWolff (the delightful Liza Colon-Zayas), and eschewing any work-life balance whatsoever in his unrelentless quest to put criminals away so he doesn't have to think about his complete lack of a personal life. He's also reluctantly working with Frank Castle (Jon Bernthal), a man with some sort of dark past who is now a vigilante with a lot of guns (apparently this character is the Punisher - a fact that completely blew past me while watching this movie).

There's Michael Mando as Scorpion, but then it turns out there's a different villain who can mind control people, so they become slightly more important to deal with. Just rest assured there's some great action, a lot of emotion, and it will be worth your time. I thoroughly enjoyed this movie, but also, Instagram has been constantly serving me reels of Holland and Zendaya so I just spent this movie swooning over those two as my favorite Hollywood couple. I don't know if this is a movie that comic lovers and Marvel purists will care for (there ARE some great cameos from certain Avengers), but if you're simply looking for spectacle and good ol' fashioned Hollywood razzle-dazzle, this movie serves that up in spades.

July Movies Part 2: The Invite & The Odyssey

This week I watched two of my favorite movies of the year. They were spectacular and you need to jump on the bandwagon right away. What are you waiting for?!

The Invite: Adapted by Rashida Jones and Will McCormack from a Spanish film, Sentimental (that was itself adapted from a play), and directed by Olivia Wilde (who also stars), this movie is an incredible cringe comedy that had me and my husband gasping and laughing out loud for 100 minutes straight. Wilde and Seth Rogen play Angela and Joe, a couple that have been married for too long and can't seem to stop bickering with each other. Angela has invited the upstairs neighbors over for dinner, a fact that she failed to mention to Joe, so they're fighting about that as the neighbors, Pina and Hawk (Penelope Cruz and Edward Norton) arrive. Which already makes for an awkward start to the evening, but you have no idea how much more awkward things are going to get from there.

If all four of these actors receive an Oscar nomination next year, it would be welcome. The dialogue being bandied about back-and-forth is exhilarating. It's like watching a very tense tennis match with occasional pauses to burst out laughing. I can't get into the plot because you need to just experience it ratchet up and escalate continually for yourself. But what a well-made movie! It's beautifully shot, with every scene meticulously framed and composed, and the music by Devonte Hynes offers up a perfect accompaniment to these couples and their chaos. There's one scene in particular, that is set to Habanera from Carmen, and I definitely want to watch a masterclass when Wilde dissects how she perfectly choreographed the dialogue, music, and blocking to create a visually stunning and hilarious piece of cinema. 

Fair warning, this is a great movie to watch if you're in a stable relationship but may bring up some uncomfortable discussions if you're on the rocks and arguing all the time. But maybe even in that case this movie will bring you both together because you'll finally be laughing as one. Get to the theater - you have received an invitation.

The Odyssey: Written and directed by Christopher Nolan (based on Homer's epic poem, of course), there was a lot of hype around this film, and what can I say? The hype was thoroughly well-deserved. This movie is three hours long, but with this deft script that keeps weaving in and out like Penelope's loom through all of the different scenes of Odysseus' journey, the Trojan War, and the troubles in Ithaca, you simply won't notice the time passing by. It's a singular cinematic achievement and I can't begrudge all the Oscars it's bound to receive next year.

The cast of this film is pitch perfect. I had my doubts about Matt Damon as Odysseus, but he does an incredible job - he is just the right amount of old and weary but still has a trick or two up his sleeve to try and survive this perilous journey home. Tom Holland is wonderful as his son, Telemachus, who has to protect his mother, Penelope (Anne Hathaway, in what is definitely her best role this year), from the greedy suitors (including Robert Pattinson as the very evil Antinous) who have posted up at their palace in Ithaca and want to marry Penelope so they can be king. The other big-name stars in this movie mostly have extended cameos, but damn do they deliver in their scenes. I was particularly astonished by Samantha Morton as Circe - there was something so eerie and menacing about her voice that even if you didn't know anything about this character, you'd suss out within ten seconds that something very bad was about to happen to Odysseus's men.

I've been obsessed with Greek mythology since I was a child; I've taken many courses on it and read The Odyssey as well as modern retellings of Homer's work, so I have a great familiarly with this story and the various characters and settings. I don't know if someone with zero knowledge of The Odyssey would love this film as much as I did, but I think they would still be completely mesmerized by the spectacle of it. The extended sequences with the Trojan horse are stunning, watching the sailors get tossed around on a vengeful ocean is harrowing, interacting with the varied cast of characters is a constant delight. I found myself astonished simply by the armor that different characters wore - Agamemnon in particular, has the most foreboding armor I've ever seen, and it chilled me to the bone every time he was on screen. And is it weird that everyone has an American accent? Sure, for about ten minutes. Then you just put that aside and let yourself be swept away by this ancient tale. The locations are dazzling, the practical effects are glorious, the script is immaculate, the actors are captivating. You can see the blood, sweat, tears, and love that went into every frame of this movie and the result is truly a wondrous thing. Nolan went on quite the odyssey to give us this film, and I'm so glad he did.