Yes, yes, you didn't think I spent the summer just bingeing Emily in Paris did you? I found many more random old and new shows to catch up on, and now here are my suggestions for what you should be streaming next.
The Outlaws: Created by Elgin James and Stephen Merchant (who also co-stars), I had never heard about this show before, but when I started watching, I ate up all three seasons with a big ol' spoon. My god, what an astonishing delight. The show follows a group of Brits (and an American expat, played by THE Christopher Walken!) who all find themselves doing community service for a range of infractions. There's a socialite Instagram influencer, an Indian-Polish teenager who crumpled under the pressure to be a perfect student (can anyone here relate *cough*), a nightclub bouncer who is trying to make a better life for him and his sister, a former conman, a mediocre lawyer, a strident Black community activist, and a white middle-aged businessman who is fed up of the woke police.
As you can tell, they all have different agendas, wildly different worldviews, and at first, it seems impossible that this group is ever going to get along. But then...stuff happens. I can't tell you what, because with only six episodes a season (five for the third), this show is economical and brimming with twists and turns that you need to experience for yourself. Suffice to say, this motley crew will have to band together after they get into trouble and need to dig themselves out of an ever-deepening hole. Every actor is doing impossibly great work, and the writing is pitch-perfect, with my particular favorite nuance being the fact that Merchant takes every opportunity to have various people mock the way he looks. It is just an absolute joy from start to finish, funny, touching, and a thrilling caper that will keep you on the edge of your seat. And as a compliance professional, let me just say, I greatly enjoyed the deep dive into money laundering that you will get along the way.
Angry Young Men: This is a three-part documentary series about the Bollywood writing partnership of Salim-Javed, i.e. Salim Khan and Javed Akhtar, who wrote a series of blockbuster scripts in the 1970s that came to define an entire era of Bollywood cinema. Now their kids, namely Salman Khan, Farhan Akhtar, and Zoya Akhtar, have produced this documentary, helmed by director Namrata Rao, to give us some insight into how this partnership came about and what makes these two men tick. I have of course heard of these films, like Deewar, Sholay, Seeta aur Geeta, etc. but had no idea they were all written by the same duo. I had no sense of what a tour-de-force they were in the 70s, particularly instrumental in making the career of Abhishek Bachchan and other actors who are now household names.
Yes, this is a hagiography, with many talking heads from famous actors, directors, and critics raving about their work, but the most fascinating moments are when we get to hear directly from the men themselves, as well as their ex-wives and current wives. For men with convoluted love lives, they seem to have really lucked out in terms of the women they married, and the film paints a rather cheery portrait of non-traditional families. But the best part is when we just get to hear these men speak and share a little bit about their difficult childhoods, and their deep desire for fame and recognition. Were they arrogant and brash? Yes, everyone agrees on that. But were they absolute geniuses? Yes. If you have the slightest interest in Bollywood, this documentary is a wonderful ode to Hindi cinema and these two remarkable writers who were the first to demand attention for the craft of screenwriting that was hitherto considered an inessential component of filmmaking. Unfortunately, the documentary makes the point that writers still don't command much respect in Bollywood, but Salim-Javed are still the gold standard that all writers aspire to when penning their scripts.
The Perfect Couple: This just came out two days ago on Netflix and I've already binged all six episodes, so that's all you need to know. Developed by Jenna Lamia, directed by Susanne Bier, and starring Nicole Kidman, this is a perfectly paced murder mystery that doesn't take itself too seriously. Kidman stars as Greer Garrison Winbury, a rich author of detective novels who has a "cottage" on Nantucket, where she spends the summer with her wealthy family, which includes her supposedly doting husband, Tag (Liev Schriber), and their three sons. One of those sons, Benji (Billy Howle) is getting married to an outsider (i.e. working-class person) named Amelia (Eve Hewson), so the show takes place during that wedding weekend. When a body washes up on the shore, the whole family is thrown into disarray and every possible person comes under suspicion as they have excellent motives and nebulous alibis.
It's sumptuously shot, excellently acted, and the Bollywood actor Ishaan Khatter even shows up as a close family friend, which was an utter surprise to me (though might explain why the title sequence of this show is reminiscent of a Bollywood number). Every episode ends on a delicious cliffhanger that will have you slamming the Play Next Episode button at regular intervals, and everything is wrapped up in a satisfying bow - no spoilers, but I promise you won't be left with any irritating loose ends. The show is based on Elin Hilderbrand's novel of the same name, which I have not read, but the show does deviate from the novel in numerous ways that all sound much better to me. So hop on the couch and get excited for a fun summery mystery.
Sunny: Created by Katie Robbins, based on a 2018 novel by Colin O'Sullivan, this slightly futuristic show stars Rashida Jones as Suzie Sakamoto, an American expat in Japan who is plunged into grief when her husband and son are killed in a plane crash. When her husband's company presents her with a "homebot" (a robot that can help you around the house) named Sunny to help her during this difficult time, she is initially resistant, but she gradually starts to warm up to this robot. And in doing so, she discovers her husband designed Sunny, and had a whole life that she knew nothing about. Her mother-in-law (played by the lovely Just Ongg) keeps evading questions about his past, and as Suzie gets Sunny to try and dig into her memories, they find themselves going deeper into a mystery that involve the yakuza and all manner of shady dealings. Over its ten episodes, the show is pretty vibey and has a somewhat erratic tone, sometimes playing into robot comedy, and then veering into dark drama and mystery. But it was compelling enough to keep watching from week to week, and now you can binge it all in one fell swoop. If you're a fan of mysteries, Japan, futurism, or Rashida Jones, this should be the next show on your watchlist, but if you're looking for a tidy narrative with a satisfying conclusion, you might want to try The Perfect Couple instead.
The Change: Created and written by Bridget Christie, this is a weird but weirdly touching little show about Linda (Christie) a woman who hits 50, starts the menopause, and decides she needs a break from being a wife and mother for a while. She packs up her stuff, hops on a motorcycle, and heads off to the Forest of Dean, on a quest to find a time capsule she left in a tree when she a little girl. Which tree? Who knows, let's hope she find it! When she gets there, she rents out a camper van from some strange sisters (played by Minca Dolan and Susan Lynch) and finds herself getting more and more involved in the bizarre lives of the local town's inhabitants. Meanwhile, back home, her incompetent husband, Steve (Omid Djalili), is overwhelmed as he discovers how much silent labor his wife has been putting in over the years to keep their lives tidy and functional. If you enjoy British "comedies" and aren't looking for a huge commitment, you can easily knock this show out in a few hours and have a few chuckles and quiet moments of profundity along the way.
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