Wednesday, December 11, 2024

December Binges Part 1: Say Nothing, A Man on the Inside, The Pradeeps of Pittsburgh

As always, I have spent much time on the couch over the past month and have been catching up on a slew of streaming shows. If you’re hibernating this month, why not fire up one of these shows to keep you engaged?

Say Nothing: Created by Joshua Zetumer, based on the nonfiction book by Patrick Radden Keefe, this is a searing miniseries about the Troubles in Northern Ireland that spans the 1960s to the 90s. The series focuses on Dolours Price (Lola Petticrew/Maxine Peake) and her sister Marian (Hazel Doupe/Helen Behan), two young women who were initially pacifists who protested for peace, but who then joined the provisional Irish Republican Army (IRA) and tunred to a more violent path.

This is also a story about the Disappeared, people who were suspected of being informants and were secretly killed and buried by the IRA over the years; we specifically follow the story of a widow with ten children named Jean McConville, who was suddenly taken from her family and never seen again. And this is also a story about Gerry Adams, a man who led the IRA but then went on to become a politician and the president of Sinn Fein, who tried to broker a peace deal while claiming he was never a member of the IRA. 

These stories may seem disparate, but they are interwoven and culminate in tremendous fashion in the series finale. Over nine episodes, I was captivated by this show, on the edge of my seat to see what exactly would happen next. The series showcases the Belfast Project by Boston College, which helped former IRA members, like Dolours Price, record an oral history of what they had done, so every episode winds back and forth as you see the older version of these characters re-live their past in vivid flashbacks. It’s a masterful piece of television that outlines a dark and dangerous period of history and makes it feel urgent and relevant today. 

A Man on the Inside: If you don’t want drama but a comedy that will still make you periodically tear up, creator Michael Schur has you covered. In this show (based on the 2020 Oscar-nominated documentary, The Mole Agent), Ted Danson stars as Charles, a lonely man who decides to answer a classified ad that Julie (Lilah Richcreek Estrada)put in the paper. Julie runs a private detective agency and has a client who wants to investigate the retirement community his mother is in; her necklace is missing, and he thinks there’s a thief in her midst. Charles seems to be a perfect candidate to pose as a new retiree in this community, so Julie hires him, trains him up on how to be a spy, and sends him in.

The supporting cast includes Stephanie Beatriz as Didi, the extremely dedicated and competent woman who runs the community, and Mary Elizabeth Ellis as Charles' daughter, Emily, who is worried about her father, but somewhat relieved that he has found a hobby. As you can imagine, Charles is not a natural spy, and his first few days at the home are a bit of a disaster as he tries to figure out how to fit in with the residents without blowing his cover. But as the days go on, he starts to find his way with this motley crew and also starts to hone his spy craft (well kind of). 

This is a beautiful show that is about old folks and how much more they have going on in their lives than Hollywood ordinarily wants to acknowledge. It also reflects the very real challenges of growing older and the strain it can put on families as they try to navigate how best to take care of their elderly relatives. It's a very funny show and has an engaging mystery element, but it's also incredibly heartfelt and sweet, so keep a box of tissues handy at all times.

The Pradeeps of Pittsburgh: If you don't want to cry at all, then settle in for a typical American sitcom about a rather atypical family. Creator Vijal Patel gives us this show about a family that moved from India to Pennsylvania. But when we first meet them, they are being interviewed by two immigration officers who are trying to figure out who burned down their neighbors' house. What follows are eight episodes of interrogations where we get their story in flashbacks.

Sindhu Vee (a comedian I absolutely adore), plays Sudha (my mother's name!), a doctor who is mad at being uprooted to the US where no hospital will even accept her medical license. Naveen Andrews plays her husband Mahesh, a man filled with bright-eyed optimism about the land of opportunity, who has a SpaceX contract and thinks he's going to make it big by launching a rocket factory in PA. They have three children, Bhanu (Sahana Srinivasan), a very horny teenager who has her sights set on the hot boy next door (Nicholas Hamilton), Kamal (Arjun Sriram), a very neurotic teenager who has somehow developed an infatuation for the mother of the hot boy next door (Megan Hilty), and Vinod (Ashwin Sakthivel), a cheerful, upbeat kid who is obsessed with the garbage truck. 

This is definitely the broadest of comedies, but it contains fun jokes about white people and Americans and the challenges of fitting in as foreigners. There's plenty of material about Indian traditions and customs, but at the end of the day, this is a pretty standard sitcom that is easy to binge through in an afternoon. If you're Indian, you may enjoy it for the representation, and if you're not Indian, maybe you'll learn something?

Sunday, December 8, 2024

Holiday Movie Watch: Hot Frosty, Our Little Secret, The Merry Gentlemen, Nutcrackers

'Tis the season! Once Thanksgiving was over, I began mainlining Christmas movies on streaming platforms. If you're ready for some thoroughly mindless entertainment to put you into the holiday spirit, let's jingle all the way!

Hot Frosty: This is the movie everyone's talking about. Directed by Jerry Ciccoritti and written by Russell Hainline, this movie stars Lacey Chabert as Kathy, a lonely widow who runs the cafe in her small town. She puts a scarf around a snowman that was made for a local competition, and lo and behold, later that night, the snowman magically comes alive. And this is no pot-bellied snowman with a carrot nose. This snowman is played by Dustin Milligan and has some chiseled abs. Is this high art? No. But is every actor committed to the silliness and having a whale of a time in this movie? You bet. The supporting cast includes Craig Robinson and Joe Lo Truglio as the local sheriffs who are looking to identify this mysterious man who has appeared in town, and yes, while initially the snowman has no idea what's going on and seems to be about as mature as a toddler, he thankfully has a real quick learning curve so it's not too icky when an inevitable romance begins to brew. Pour out a mug of hot chocolate and settle in, because this is the coziest movie you're gonna watch this week.

Our Little Secret: I 100% support Linday Lohan's pivot into becoming a Netflix romcom queen. In this film, directed by Stephen Herek and written by Hailey DeDominicis, Lohan plays Avery, a woman who is visiting her boyfriend Cameron's (Jon Rudnitsky) family over the holidays. Unfortunately, Cameron's sister, Cassie (Katie Baker) brings home her boyfriend, Logan (Ian Harding). Who is, of course, Avery's ex-boyfriend. Naturally, Avery and Logan decide not to tell anyone that they used to date, which leads to many shenanigans and ruses. And of course, they're not the only one in this house harboring a secret - everyone's got something to hide, and by the end, all will be revealed. It's absolutely charming, classic holiday fare, and I thoroughly enjoyed every second. Kristin Chenoweth also stars as Cameron's snarky mother who goes around blessing everyone's heart and being the mother-in-law of their nightmares. Almost every beat is predictable, though there was one twist towards the end that I absolutely did not see coming, so I offer that up as additional enticement. But otherwise, this is the perfect movie to be watching while you put up your tree and wrap presents. Fa la la la la!

The Merry Gentlemen: Do you love the holidays but wish they involved more topless male dancing? Well, this movie, directed by Peter Sullivan and written by Marla Sokoloff, has you covered! Britt Robertson stars as Ashley, a dancer in Manhattan (she is a "Jingle Belle" which is basically just an off-brand Rockette), who gets canned for being too old, and sadly heads back to her small town for Christmas. When she gets there, she finds out that the bar her parents' own is in trouble and needs a massive cash infusion if they want tohang on to it past the holidays. So naturally, Ashley decides the only solution is so stage an all-male revue and put on performances till Christmas to raise money. One of the dudes she recruits is the local handyman, Luke (Chad Michael Murray, whose hair is particularly distracting throughout the film), as well as the local barman and some other men who can actually dance, unlike Murray, who laughably spends most of the time standing in the back of these routines with his shirt off, trying to look sexy without moving too much. Again, it's predictable and dumb, but it is full of holiday cheer and shirtless men, so what's not to like?

Nutcrackers: I need to be clear right off the bat that I did NOT like this movie so am emphatically not recommending you watch it if you want to feel some holiday uplift. But here's a short review nonetheless. Written by Leland Douglas and directed by David Gordon Green, Ben Stiller stars as Michael, a man who has to take a break from his high-powered job in Chicago to drive down to a farm in rural Ohio so he can serve as temporary guardian to his four unruly nephews after his sister and brother-in-law tragically died in a car accident. The children are out of control and Michael was somewhat estranged from his sister, so he basically just wants the social worker, played by Linda Cardellini, to quickly find foster parents for these kids so he can wash his hands of them and head back to his real life. And then of course, he spends more time with the kids, gets more entwined with the local townsfolk, and yada yada yada. This movie is mostly chaotic vibes, and the tone is weird throughout, never quite funny enough or dramatic enough, just aggressively mid. If that sounds like the kind of thing you're into, go ahead, but otherwise, stick to the three ridiculous movies I recommended above instead.