Every year, when the Oscar nominations are announced, I have to do a mad scramble to catch up on all the movies I missed. Thankfully, this year I watched a good number of films, so I can catch up at a more sedate pace. Here are reviews of two movies I watched this week to get fully informed before the awards ceremony!
Song Sung Blue: Written and directed by Craig Brewer, based on the documentary by Greg Kohs, this is a rather charming biopic about Mike and Claire Sardina (played by Hugh Jackman and Kate Hudson), two musicians who met in 1987 in Wisconsin and decided to work together to create a Neil Diamond tribute act. Now, let's be real, apart from Sweet Caroline, I didn't know any Neil Diamond music, but boy did I get a robust education while watching this movie, including discovering a very bizarre bop called Soolaimon that I still mindlessly hum to myself out of nowhere.
This is a pretty traditional story about two Midwesterners who were battling their own personal demons but had great talent and a great love for each other that helped them overcome their struggles. Jackman and Hudson turn in wonderfully charismatic performances, and considering all the drama that happens to Hudson's character over the course of this movie, it's little wonder she has been nominated for an Oscar. I honestly wasn't expecting to like the movie as much as I did, but it was so sweet, so kind, so understanding of human foibles, that I simply couldn't help myself. I'm a sucker for musicals and stories where music brings people together. There's a little side plot where Mike is trying to get a job at a Thai restaurant, and it turns out the immigrant owner is a huge Neil Diamond fan and loves Soolaimon. That's the kind of cross-cultural human bonding that I simply eat up with a spoon.
Watch this movie if you like great acting, good music, and purely wholesome vibes. It's like watching a Bollywood movie, but the actors are doing their own singing. And it's all true, which makes it all the more spectacular.
Train Dreams: Directed by Client Bentley who co-wrote the screenplay with Greg Kwedar, adapting it from the 2011 novella by Denis Johnson, this is a vibey movie that starts out in the 1890s and tells the story of Robert (Joel Edgerton), a young orphan in Idaho. We watch his life as a young man in the American West, working in forests, helping to build railroads alongside Chinese laborers, and eventually falling in love and building a remote cabin by the river to live in with his wife, Gladys (Felicity Jones) and their young daughter. He becomes a logger and has to leave them for months at a time during logging season and we get to watch their struggles to build a life together in this harsh but beautiful New World.
This movie is only 100 minutes long, but we get to see the trajectory of this man's entire life, from sawing down trees in the early 1900s to watching the moon landing in 1969. The movie simultaneously feels extremely slow and deliberate, and then extremely rushed. This is the kind of film that is all about the cinematography and vistas and frankly, might have done better with a 3-hour Brutalist treatment. Instead, we get something that feels a little bit unmoored, much like its protagonist. It's a slice of life, conveying the extraordinary changes that one man can experience in one short lifetime, but did I find that moving or fascinating? Not particularly.


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